Anne Farrall Doyle – modern landscapes, figurative & equestrian artist

“The impact of light falling and changing becoming intertwined with complex shadows and reflections gaining always a graphic perfection”.

BACKGROUND

ANNE FARRALL DOYLE born in Cheshire, England.
ICAS gallery artist Anne Farrall Doyle showcases modern landscapes, figurative, and Equus collections in our monthly changing exhibitions.

Anne completed her studies at Stockport College of Art. Her training in using her Art qualification began she spent an earlier time in a Manchester advertising agency. Eventually, taking the plunge and entered the World as a freelance illustrator.

She acquired a high-profile London agency and gained a continuing reputation as a Fashion Illustrator. This later led to working on a wide variety of subject matters and increased clients, both National and International.

She followed her love of travel, and her varied experiences took me to many countries in Europe and North Africa. settling in an exotic place like Spain, France, Munich, and Ireland that provide a platform for more imaginative work

CREATIVE IMPULSE

My inspiration can come from the transience of nature or the intriguing social exchanges.

“The impact of light falling and changing becoming intertwined with complex shadows and reflections always gaining a graphic perfection”.

My subject matter ranges from my surrounding landscapes, people, still life, nature, and animals. A visual excitement can be sparked by a knarled knot in a tree, gracefully soft grasses waving in a breeze, or shimmering reflections in the field puddles. I love to drift between cafes and streets, capturing moments of happiness, loneliness, and interaction. But always the deciding factor is the perfect balancing of colours and shapes, always the aim is just too far.

My working world is necessarily a solitary one, albeit I have my faithful four-legged companions; sometimes, their paws plant their imprint on the day’s work.

After a morning’s sketch, planning, and sourcing material helped on by many cups of tea, the moment arrives when I feel the need to work quickly, to allow my canvas to open up and join me in a mind’s picture.

My chosen medium is primarily oiled, although all mediums I used also achieve my mind’s vision. Eventually, when all are working well, I begin to work on another level of intuition. I now trust my inspiration, joy, and freedom of painting.