Anne Farrall Doyle – modern landscapes, figurative & equestrian artist

“The impact of light falling and changing becoming intertwined with complex shadows and reflections gaining always a graphic perfection”.

BACKGROUND

ANNE FARRALL DOYLE born in Cheshire, England.
ICAS gallery artist Anne Farrall Doyle showcases modern landscapes, figurative, and Equus collection in our monthly changing exhibitions.

Anne completed her studies at Stockport College of Art. Her training in using her Art qualification began she spend an earlier time in a Manchester advertising agency. Eventually taking the plunge and entered the World as a freelance illustrator.

She acquired a high-profile London agency and gained a continuing reputation as a Fashion Illustrator. This later lead to working on a wide variety of subject matters and increased clients, both National and International.

She followed her love of travel, and varied experiences took me to many countries in Europe and North Africa. settling at an exotic place like Spain, France, Munich, and Ireland that provide a platform for more imaginative work

CREATIVE IMPULSE

My inspiration can come from the transience of nature or the intriguing social exchanges.

“The impact of light falling and changing becoming intertwined with complex shadows and reflections always gaining a graphic perfection”.

My subject matter ranges from my surrounding landscapes, people, still life, nature, and animals. A visual excitement can be spark by a knarled knot in a tree, gracefully soft grasses waving in a breeze, shimmering reflections in the field puddles. I so love to drift between cafes and streets, capturing moments of happiness, loneliness, and interaction. But always the deciding factor is the perfect balancing of colours, shapes, and always the aim is just too far.

My working world is necessarily a solitary one albeit I have my faithful four-legged companions; sometimes their paws plant their imprint on the day’s work

After a morning’s sketch, planning, and sourcing material helped on by many cups of tea, the moment arrives when I feel the need to work, quickly, to allow my canvas to open up and join me in a mind’s picture

My chosen medium is primarily oiled, although all mediums I used also achieve my mind’s vision. Eventually, when all are working well, I begin to work on another level of intuition. I now trust my inspirations, joy, and freedom of painting.